diddley bow songs

Later covered by everyone from Creedence Clearwater Revival to Eric Clapton, this deathless gem strolls rather than pounds, proof that Bo had more than one rhythmic trick up his sleeve. The flipside of his original debut 45 has been eclipsed somewhat over time by Muddy Waters' answer song, "Mannish Boy," but Bo laid the groundwork, creating a fusion of blues and rock that somehow doesn't swallow up either. Recent performers who use similar instruments include New York City-based jazz pianist Cooper-Moore, American bluesman Seasick Steve, Samm Bennett, Danny Kroha, One String Willie, and blind musician Velcro Lewis. "Who Do You Love" offers a rich mixture of black Americana folklore, riding an even harder Bo Diddley brand beat and creating an even more powerful sense of mythical voodoo sex magic. The instrument was then developed as a children's toy by slaves in the United States. A glass bottle is usually used as the bridge, which helps amplify the sound. Diddley employed a series of his traditional "Mockingbird" style couplets, but there's something different here, a wild passion that Bo must have been calling up from the depths of his own desire. Because the diddley bow is so easy to make, it was often the first musical instrument performed on by the legends of blues and rock music such as B.B. Written, directed, and produced by Alan Lomax; developed by the Association for Cultural Equity at Columbia University and Hunter College. • American Patchwork: Songs and Stories of America, part 3: "The Land Where the Blues Began" (1990). They were first documented in the rural South by researchers in the 1930s.[2][3]. Willie Joe Duncan was also notable for his work with a large electrified diddley bow he called a Unitar. "You got your radio turned down too low," he shouts at one point, carried away by himself. Good advice. [4], Learn how and when to remove this template message, "Diddley Bo by Seasick Steve - Songfacts", "American patchwork–songs and stories of America.

"I'm A Man" went on to become one of Bo's purest blues numbers and a perennial concert favorite. However, because it was considered a children's instrument, few musicians continued to play the diddley bow once they reached adulthood. Another beloved favorite of the Brits, "Mona" is a rockabilly number with a sing-song appeal of his earlier hits. The diddley bow is a single-stringed American instrument which influenced the development of the blues sound. "Turn it up!" 4 - Various Artists - Songs, Reviews, Credits - AllMusic", "The Specialty Story [Box] - Various Artists - Songs, Reviews, Credits - AllMusic", "Various - The Spirit Lives On - Deep South Country Blues And Spirituals In The 90's", "Heritage of the Blues: Shake It Baby - Jessie Mae Hemphill - Songs, Reviews, Credits - AllMusic", "Get Right Blues - Jessie Mae Hemphill - Songs, Reviews, Credits - AllMusic", "Afro-American Folk Music from Tate and Panola Counties, Mississippi - Various Artists - Songs, Reviews, Credits - AllMusic", "Afro-American Folk Music from Tate and Panola Counties, Mississippi - Various Artists - Credits - AllMusic", "One String Blues - Eddie "One String" Jones - Songs, Reviews, Credits - AllMusic", "Velcro Lewis And His 100 Proof Band / Tijuana Hercules - The Oven's On / Look Here", "Tijuana Hercules - Almanack Of Bad Luck", "All Around Man - Lonnie Pitchford - Songs, Reviews, Credits - AllMusic", "Illustrated Testament Records discography", https://www.discogs.com/Various-Drop-On-Down-In-Florida/release/4686307, https://www.discogs.com/Various-Music-from-the-Florida-Folklife-Collection/release/13350432, https://www.discogs.com/Various-Where-The-Palm-Trees-Shake-At-Night/release/14750988, "One String Sam - Biography & History - AllMusic", "Motor City Blues/Please Mr. Foreman - Various Artists - Songs, Reviews, Credits - AllMusic", "Release "Rural Blues, Volume 1 (1934-1956)" by Various Artists - MusicBrainz", "Velcro Lewis Group - White Magick Summer", https://en.wikipedia.org/w/index.php?title=Diddley_bow&oldid=959107155, Articles needing additional references from November 2018, All articles needing additional references, Creative Commons Attribution-ShareAlike License, Louis Dotson - "Sitting on Top of the World" on, Willie Joe (Duncan) and His Unitar – The track "Unitar Rock," is available on, Glen Faulkner – "Cotton Pickin' Blues," "Louisiana Blues," "Glory, Glory, Hallelujah," "Get Right Church And Lets Go Home," on, Compton Jones – One track, "Shake 'Em On Down," on. It's close, there are many "hybrids" among the later known examples, and the players themselves were the first to compare it with a guitar or a banjo, but there are two major differences:

There, they were often played by children, one beating the string with sticks and the other changing the pitch by moving a slide up and down. The most traditionally songlike of his fabled tracks and one that features some of his finest hollerings and guitar slinging, the song almost went on to be a Top 40 hit, landing just shy of the mark. North Carolina Public TV; A Dibb Direction production for Channel Four. and answering "Yeah, yeah, you're crackin up," it's no wonder this tongue-in-cheek number was covered by some of rock's cheekiest artists. What is the difference between a Diddley bow and a 1-string guitar? "Bring It to Jerome" is one of Diddley's more blues-oriented tracks and features none other than Bo's maraca player Jerome Green taking half the vocals as the two call for the female object of his desire to "bring it on home, bring it to Jerome."

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