la cenerentola met opera 2014

The Met’s playful production of Rossini’s great, loveable and busy La Cenerentola is back and in excellent hands. Hall's costumes, was devised for Joan Sutherland and Luciano Pavarotti and was fusty even when it was first unveiled: the intervening four decades have not made it seem any fresher. Met principal conductor Fabio Luisi is on the podium.

NEW YORK CITY La Cenerentola (4/21/14) & La Sonnambula (4/17/14) The Metropolitan Opera 4/21/14 T he April 21 opening of the Met's Cenerentola was an occasion for childlike joy. But when he started to sing, he was every bit the hero. Directed by Barbara Willis Sweete.

Michele Pertusi was a noble Giorgio. 2.

Simon Boccanegra Vienna State Opera. A Metropolitan Opera High-Definition Production. But the sound was generally marked by its transparency, and the Met's winds in particular seemed to revel in their solo opportunities. Conductor: Fabio Luisi. NEW YORK CITY La Cenerentola (4/21/14) & La Sonnambula (4/17/14) The Metropolitan Opera 4/21/14 T he April 21 opening of the Met's Cenerentola was an occasion for childlike joy. 1. Pietro Spagnoli, making his house debut as the valet Dandini, showed a similar facility with the text and a similar comic knack: his oleaginous delivery conveyed the servant's fulsome delight in impersonating his master. Verified reviews are considered more trustworthy by fellow moviegoers. A peerless pair of Rossini virtuosos joins forces in La Cenerentola—a vocal tour de force for mezzo-soprano Joyce DiDonato, singing her first Met performances of the Cinderella title role, and the high-flying tenor Juan Diego Flórez, as her Prince Charming. Just occasionally, the orchestra covered the singers, and there were some small lapses in ensemble, perhaps due to beginning-of-run uncertainty. Alessandro Corbelli reprised his familiar Don Magnifico, rooting the singing line firmly in the Italian text and once again demonstrating that playing it straight is the most effective tactic for comedy. But he sang with the authority of a true bel canto stylist — especially in the second verse of "Cinta di fiori," delivered as a fine thread of firmly supported tone — and throughout he phrased the music so naturally that it seemed like an extension of human speech. The revival featured a fine cast led by two exciting star

Elektra Vienna State Opera. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. We won’t be able to verify your ticket today, but it’s great to know for the future. This element came to the fore in this season's Met revival, thanks to the efforts of conductor Michele Mariotti. They won't be able to see your review if you only submit your rating. Luisi achieved the balance of relaxation and propulsion so necessary to Rossini: the music moved forward irrepressibly, as if on its own impetus. Your AMC Ticket Confirmation# can be found in your order confirmation email.

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